Archive for June, 2008

(((([ringtones]))))

Friday, June 27th, 2008

The topic of ringtones caught my attention recently. Ringtones are everywhere. Your mobile phone comes with a selection of them so you can distinguish your phone from others in a crowded bar, or assign a ringtone to a specific contact, like a best friend or your favorite (or worst) relative.

But when you are on the bus and suddenly hear The Cantina Band (The Modal Nodes) from that dusty Tatooine bar in Star Wars and look around only to realize it is a ringtone (no Gweedo, no light sabers, nothing!), your first thought, like mine, would probably be “Cool, where did he get that?” And then, “did he actually pay for that? Who made it, and why?”

The Market

According to its annual mobile music market projections for 2008, Broadcast Music, Inc. (BMI) predicts that the U.S. market for ringtones will further decline this year to $510 million in sales, down from $550 million in 2007. Interestingly, though less than half the size of the ringtone market, the market for “ringback tones” is expected to increase. (A ringback tone is a musical clip heard by a caller when placing a call to another mobile phone).

So mobile phone users coughed up $550 million for ringtones last year?

Having purchased only one ringtone in my life (The Cure’s “Just Like Heaven”), and having only one friend who once actually used a ringback tone on his phone, I turned to SW at Decca Records to fill me in on the current state of ringtones and the role they play in today’s multimedia experience. (more…)

Gear: Part 6 – The Really Nice Preamp (RNP)

Tuesday, June 24th, 2008

A Standalone Preamp

Last time, I wrote about how I began looking into preamps and audio interfaces as the next crucial links in the recording chain. You also saw how I ultimately decided to acquire a Presonus Firebox as a solid Firewire audio interface and to purchase a separate preamp for better quality signal boosting and for future expandability of my studio setup.

Even though I was limited by a total budget of $1000, my research convinced me to aim high for a quality preamp. Of course, I still needed to buy some additional gear, so how much I was willing to spend on the preamp was partly determined by what I thought any reserves could get me afterwards.

Searching for preamps under $1000, I consistently found positive reviews of FMR Audio’s Really Nice Preamp (RNP 8380) ($499.00 ) and D.A.V. Electronics‘ Broadhurst Gardens (BG-1) ($830.00 as of D.A.V.’s May 2008 e-mail). (more…)

New Music from Decca Records

Thursday, June 19th, 2008

One Flew South

Yesterday, my friend SW at Decca Records suggested I take a look at a new music video from newcomers One Flew South, a Nashville-based vocalist-songwriter trio (Royal Reed, Chris Roberts and Eddie Bush). The song, “My Kind of Beautiful”, immediately recalls The Eagles and Crosby, Stills and Nash. Indeed, the tracks on their debut album, “Last of the Good Guys” were co-written by J.D. Souther, who co-wrote Eagles’ classics as “Best of My Love” and “Heartache Tonight”, and by Marcus Hummon, a Nashville-based songwriter (six No. 1 hits from The Dixie Chicks, Tim McGraw and Rascal Flatts’ Grammy-winning “Bless the Broken Road”).

While not really my kind of music, the group’s bio caught my attention, particularly guitarist Eddie Bush, who was a “certified guitar hero” growing up. Incredibly, he was mentored by Eric Johnson (Nashville guitar god from my youth) and Mr. Bush eventually opened shows for acts like Ted Nugent, Cheap Trick, Sammy Hagar, Jefferson Starship, REO Speedwagon, Eddie Money and .38 Special.

One Flew South’s debut album “Last of the Good Guys” was released in May.

Brendan James

My buddy SW, whose promotional work included making One Flew South’s ringtones, also recommended another Decca artist, Brendan James, a talented singer-songwriter from New Hampshire who used to work at Urban Outfitters in Manhattan, and would dress up like a guest to sneak into the Plaza Hotel to practice his piano chops.

One track which jumped out at me from Mr. James’ MySpace page is “Hero’s Song,” a powerful ballad about the pain of war. The track is also featured on the “Body of War” soundtrack alongside works by Bruce Springsteen, John Lennon, Neil Young, Tori Amos, Ben Harper, Serj Tankian and Eddie Vedder.

An excerpt from “Hero’s Song”:

Smoke and explosions surround me
A flood of hate, it drowns me
I cannot live this way
No I cannot live
With doubt and confusion
They find me
They run up right behind me
I cannot die this way
No, I will not die this way

Mr. James’ debut album “The Day is Brave” was released on June 3.

What Did You Say, Honey? I Can’t Hear Above 18,000Hz!

Monday, June 16th, 2008

My wife finds my acoustic treatment attempts humorous because, she says, “You don’t hear too well to begin with.” But I think I’ve found an ironclad rebuttal.

Today, AE brought to my attention Egopont, a website with various tests, including a hearing range test. Take the quick test by listening to each sound file (on your headphones) which generates a tone corresponding to the spectrum of the frequency range (20Hz to 20,000Hz). According to the creators of the test, the “majority of people can no longer hear 20,000 Hz by the time they are teenagers and progressively lose the ability to hear higher frequencies as they get older.”

I took the test and discovered that I could hear the 20Hz frequency all the way up through the 18kHz frequency (beyond that, I wasn’t sure if I was hearing anything). This makes me happy because, according to a New York Times article about cell phone ring tones which were created at frequencies beyond what most adults can hear, I shouldn’t be able to hear past 14Hz!

So actually my hearing is pretty good. Now, whether I really hear my wife when she’s talking, that’s just something I can’t explain.


Gear: Part 5 – The Preamp and Audio Interface

Friday, June 13th, 2008

Preamp and Audio Interface

Continuing my quest to build a basic home studio one piece of gear at a time, I learned that the next important link in the recording chain, after the microphone, is the preamp. Because the output signal of an instrument or microphone may not be high enough by itself, a preamp is used to boost the signal to an appropriate level for recording in the computer. High quality preamps can boost the signal significantly while keeping a good S/N (signal-to-noise) ratio.

It became clear that the question of which preamp to use requires thinking about another piece of hardware: the audio interface (aka sound card). Music production in the computer requires a sound card. Though computers all come with a soundcard, it is usually insufficient for driving studio monitors and for bringing a sound source into the computer. So how does one plug that microphone or bass guitar into the computer? (more…)