Archive for the ‘Gear’ Category

Korg MS2000r: Create Your Own Program

Tuesday, June 2nd, 2009

This past month, I focused on programming the MS2000r.   While it is an amazing virtual analog synth, most of its programs scream “give me back my glow sticks!” and so I created several of my own in a search for more subtle and less dated sounds. Programming from scratch is a great exercise for understanding the building blocks to any synthesizer and I wanted to share the process I utilized.  This is not intended as a substitute for reading the manual and understanding all the various parameters in depth.  But if you just got your MS2000r and cannot wait to dig in, I have provided below a concise and ordered workflow for building a new program, based on the manual’s recommendations (I will leave some in-depth options like sequencer patterns for another time).

For starters, realize that every parameter can be edited by a combination of the front panel knobs, the SELECT keys at bottom, and the buttons below the LCD display.  The major synthesizer sections correspond to PAGES accessible in the LCD display (e.g. – OSC1, OSC2, EG, LFO, etc.), and can be accessed directly by pressing the respective SELECT key, or PAGE [+ or - ].  Also, notice that the ORIGINAL VALUE LED lights up when you turn a knob or press a button on the front panel and land on the default value for that parameter.

Some options, like modulation and delay effects, can only be viewed and tweaked on the LCD after pressing the respective SELECT [12 or 13] keys (MOD FX or DELAY FX).  I have tried to include the fastest combinations for each step (either a SELECT key, FRONT PANEL controls, the LCD buttons, or combinations).

Assuming you are in a program that you do not mind overwriting, do the following: (more…)

The Time Traveling Closet

Friday, May 29th, 2009

closetsmlMy musical life has been relegated to the closet this past month. Actually, it has been enormously refreshing to work in a tight space without distractions like email, and work on some ideas with my hands and ears instead of a mouse.  I’ve dug deep into my MS2000R and JV1080 to better understand the patches and have come up with some pretty cool patches from scratch.  Added to the fun is the fact that I recently went further back in time and scored a Tascam 103 tape deck, and a perfect condition Alesis HR16 drum machine (which came with the MMT-8 sequencer and Craig Anderton’s “Complete Guide to the Alesis HR-16 and MMT-8″).  Now I can instantly record my ideas to tape along with a corny drum track.  In all seriousness, I am overwhelmed by how deep the HR16 is and hope to figure out some cool things to do with it.  Stay tuned for more from my journey to the sonic past.

The Valvecaster – My First Tube Pedal

Monday, April 6th, 2009

The Valvecaster, originally designed by a Japanese man named Matsumin, uses 9v to power a 12AU7 tube. Not an ideal voltage for the tube heater, it can be modified easily to run on 12V.

This weekend I completed a tube-based pedal which was originally designed as a “Tube boost + overdive running off a 9 volt battery” (See the Matsumin Valvecaster at DIYStompboxes.com).  I don’t own a tube amp, but play regularly through a Fender Twin Reverb at our rehearsal studio.  If you’ve read my other posts, you know by now that I’m always looking for economical alternatives to achieving, well, almost anything.  And in these economic times, that is paramount.
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Neovibe – a Univibe Workalike

Monday, March 16th, 2009

The Neovibe is a clone of the Univibe, the original effect pedal made formerly by Univox and famously used by Jimi Hendrix and others

I’m delighted to say that I just completed the Neovibe, a Univibe “workalike” by R.G. Keen.  I was a bit nervous as this was my second effects circuit, but the clear instructions and a review of other’s numerous debugging posts on DIYSTOMPBOXES.COM made it relatively easy to complete.  I have never played a real Univibe, but its sound is unmistakeably familiar: think Jimi Hendrix and his swirling, rotating speaker sound. (more…)

The Echo Base Delay Pedal

Tuesday, February 3rd, 2009

After completing the A/B Switch stompbox, I felt up to the challenge of building my first effects circuit.  A quality delay pedal is something I have hungered for ever since I borrowed a friend’s Roland Space Echo and another friend’s Line 6 DL-4 Delay Modeler.  Once I played with those two workhorses, the precise, digital sound of my Boss DD-5 just didn’t seem as appealing anymore. I wanted something that sounded a little dirtier, where the repeats break up and lose high-end as they fade away. Basically, I wanted
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